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Wednesday, November 19, 2008

Pinot Gris vs Pinot Grigio - A one sided affair

Firstly, lets clear up a common misconception. Pinot Gris and Pinot Grigio are one and the same. Both come from the Pinot Gris grape variety, with the difference between the pair relating more to where it was traditionally grown - and the associated stylistic differences - than anything else.

Pinot Gris itself is actually a highly variable mutation of Pinot Noir, with 'Pinot' referring to the pine cone shaped bunches that characterise the 'Pinot' group of varieties. The grapes themselves range from a greyish blue to a brownish pink - often on the same bunch! The varietal name follows this closely; Pinot Gris is French, Pinot Grigio is Italian for 'Grey Pinot' '; Pinot Noir - French for 'Red Pinot' & the little seen, pale, highly aromatic Pinot Blanc - French for 'White Pinot'.

The challenge then is to establish the characteristics of Pinot Gris and Pinot Grigio under this cloud of variability. To do this, we look at both styles in their traditional homelands.
Firstly, Pinot Gris: The traditional home of Pinot Gris is Alsace, located on the border between France & Germany, in an area that has regularly changed hands between France & Germany for generations. In Alsace, Pinot Gris (which is also locally referred to as Tokay) has traditionally been associated with very rich, dry white wines that are known for their palate texture and viscosity. Picked quite late, the wines are relatively high in alcohol, low in aroma and almost Chardonnay like in their palate weight, also retaining great palate acidity, with the best examples capable of ageing for considerable periods (up to a decade). This Pinot Gris style may also undergo some wood ageing and yeast work in the winery, making for a creamier, richer wine again.

In direct contrast with this style is traditional Pinot Grigio. As we found out earlier, Pinot Grigio is the Italian name for Pinot Gris, and in Italy it finds a home in Northern Italy, where the plantings have exploded over the last decade, in line with the worldwide popularity of the style. Most of Italy's Pinot Grigio is produced in the Veneto region, where it is made in a very dry, neutral and crisp style that is more Sauvignon Blanc (without the lifted aromatics) in style than the richer Pinot Gris of France. Early picked, quite low in alcohol and almost boring in its neutrality, the best examples are crisp, understated and refreshing food wines. Renowned wine taster James Halliday describes it best:

"Like painting a picture with white paint (NZ winemaker), or losing a blind tasting against Evian (Robert Joseph, UK wine journalist) are my usual reference points for pinot grigio."

So essentially we have two very different wine interpretations, both coming from the same grape, just treated differently. The challenge in much of the new world (ie outside of Europe) is that the stylistic definition between Pinot Gris and Pinot Grigio is blurred - lean Pinot Gris, rich ripe Pinot Grigio and a lake of watery rubbish in between.

The greatest successes of the variety have largely come from the cooler climate regions of Australia: Yarra Valley, Mornington Peninsula, Adelaide Hills & Tasmania. In New Zealand the variety has found success in Martinborough in the North Island & Marlborough, Central Otago & Canterbury in the South Island. Mostly it is the Pinot Gris (French) style that is favoured (arguably as it is the more interesting of the two), with Pinot Grigio largely relegated to much more commercial level wines.

If ever there was a wine that requires you to read the tasting notes before purchasing, it is Pinot Gris (or is that Grigio)!

Andrew Graham

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